The stories that sell America’s wars

 

How the Media Sell War

 
War is again spreading across the Middle East. The United States is exchanging daily airstrikes with Iran as the conflict spills across the Gulf. Israel continues its U.S.-armed military campaigns in Gaza, Lebanon, and the occupied West Bank. And the United States and its NATO allies continue to pour weapons and military support into Ukraine’s spiraling war with Russia.

But these wars are fought with more than missiles, drones, and bombs. They’re also fought through language and images—through official claims repeated as fact, civilian deaths pushed from view, acts of aggression reframed as defense, and military escalation presented as reluctant, necessary, and inevitable.

For decades, MEF films have documented how U.S. news media help create the political conditions for war: amplifying government propaganda, marginalizing dissent, sanitizing violence, and shielding American power from sustained scrutiny. They’ve also explored how entertainment media embed militarism in the culture itself, exposing the Pentagon’s influence over Hollywood and the ways popular culture can glorify war, naturalize American military power, and turn violence into spectacle.

The ten films featured below trace these patterns across generations, from Vietnam and the Reagan era to the Gulf War, Iraq, Afghanistan, Israel-Palestine, and today’s widening conflicts. Together, they show that U.S. media complicity in war is not an occasional failure of journalism or popular culture. It’s a recurring feature of the American war machine, and a reminder that media can also become a powerful force for challenging it.

Ten films on media, militarism, and war

 

 

War Made Easy (2007)

 

Featuring journalist and media analyst Norman Solomon, this landmark film shows how U.S. news media have repeatedly amplified presidential deception, fear, and weaponized appeals to patriotism to help both parties sell war.

 

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Theaters of War

 

Theaters of War

 

Drawing on declassified documents, Roger Stahl reveals how the Pentagon and CIA have shaped Hollywood entertainment, turning war into spectacle while pushing its human costs out of view.

 

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The Occupation of the American Mind

 

The Occupation of the American Mind (2016)

 

This sweeping analysis shows how Israeli officials, U.S. policymakers, and lobby groups have used corporate news media to legitimize Israel’s occupation, discredit Palestinian resistance, and downplay Israel’s repeated assaults on Gaza.

 

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The Encampments

 

The Encampments

 

This immersive inside account of the 2024 Gaza solidarity encampments at Columbia University captures a defining flashpoint over protest, policing, media framing, and whose voices count in public debate.

 

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Hijacking Catastrophe (2004)

 

This searing account of the Iraq war shows how the Bush administration exploited a compliant corporate news media, manipulated intelligence, and cultivated public fear to sell American empire and military domination as national defense.

 

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Constructing the Terrorist Threat poster

 

Constructing the Terrorist Threat (2017)

 

Media scholar Deepa Kumar shows how U.S. news and entertainment media have made Muslims the dominant face of terrorism, fueling exaggerated fears used to justify war, militarism, surveillance, and curtailed civil liberties..

 

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Reel Bad Arabs

 

Featuring Jack Shaheen, this landmark documentary traces Hollywood’s long history of portraying Arabs as villains and terrorists, and shows how these dehumanizing stereotypes have helped build support for discriminatory policies and U.S. wars.

 

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Edward Said: On Orientalism (1998)

 

Edward Said examines how Western images of the Middle East as irrational, violent, and threatening have distorted public understanding and created a cultural framework for colonial domination, military intervention, and war.

 

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The Illusionists

 

Dave Zirin exposes how the NFL has turned football into a vehicle for patriotic, hyper-militarized spectacle—promoting U.S. wars, glorifying military power, and casting athletes who challenge state violence as divisive and unpatriotic.

 

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Television Event

 

This extraordinary behind-the-scenes account of The Day After, the 1983 TV movie that forced millions of Americans to confront nuclear war, shows how mass media can break through denial, disrupt official narratives, and change public debate.

 

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