9/11 at 25: What came after

REMEMBERING 9/11. RECKONING WITH THE RESPONSE.

“Focusing on the emotion and heroism of one day avoids getting ensnared in everything that came after. It sticks to what we can all agree on. It’s safer, in the way that it’s safer to teach the Civil War or Jim Crow as horrors of the past instead of events on a continuum that reaches into the present.”

— James Poniewozik, New York Times TV critic, on Sept. 11th commemorations

In anticipation of tomorrow’s 25th anniversary of Sept. 11, U.S. media outlets have been airing deeply moving commemorations. Stories about the 2,977 lives lost. The devastation and the pain. The heroic sacrifices of first responders. And the kindness, compassion, and generosity so many Americans displayed in the face of the horrors that unfolded.

But as powerful as these commemorations have been in helping us remember the human toll of that day, they’ve been equally powerful in helping us forget the human costs of America’s response.

What’s largely been missing is how Sept. 11 was cynically exploited to push illegal and cataclysmic wars that have killed more than 940,000 people directly¹ and another 3.6–3.8 million indirectly,² according to Brown University’s Costs of War project. There’s also been very little focus on how 9/11 was weaponized to create a climate of fear and repression at home that fueled the targeting of Muslims and Arabs, the suppression of anti-war voices, and the erosion of basic civil liberties — a climate that persists to this day.

Even more tellingly, there’s been little to no reckoning with the media’s own role in the aftermath of 9/11, when news outlets uncritically disseminated deceptive official claims and administration talking points that helped create the political conditions for war and an extraordinary expansion of state power at home.

Anticipating this potential erasure of history, MEF began documenting U.S. news media coverage in real time, as the so-called “war on terror” took shape in the immediate aftermath of Sept. 11. We conducted dozens of interviews with leading critics of U.S. war policy who were being attacked as anti-American and shut out of corporate media at the time, only to see many of their warnings borne out in the years that followed. We also produced a range of films examining how corporate news outlets across the board, from MSNBC and CNN to Fox News, operated as uncritical conduits for U.S. government war propaganda.

Below, you’ll find some of those early interviews and films, alongside more recent MEF titles that examine how news and entertainment media have helped normalize, promote, and even glamorize U.S. militarism and endless war since 9/11. Together, they ask us to reckon not only with what happened that day, but with what was done — and continues to be done — in its name.

These videos and films are all available for classroom use in multiple formats on our new streaming platform.

They’re also available as part of the MEF Premium Collection, which includes most of our titles and offers flexible subscription and permanent-access licensing options. To learn more about the Premium Collection, contact Stephen Belcourt at [email protected].

 

1. Costs of War project, Brown University, Sept. 7, 2026.
2. Costs of War project, Brown University, May 15, 2023

MEF FILMS ON AMERICA’S RESPONSE TO 9/11

 

 

Hijacking Catastrophe: 9/11, Fear & the Selling of American Empire (2004), released at the height of the Iraq war, explores how neoconservatives and other war hawks, with the help of a complicit and cowed U.S. news media, exploited the fear and anxiety unleashed by 9/11 to push imperial wars abroad and repressive policies at home.

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Beyond the Frame: Alternative Perspectives on the War on Terrorism (2004) features interviews we conducted in the immediate aftermath of Sept. 11 with some of the most prominent progressive voices in the nation, including Noam Chomsky, Bernie Sanders, Naomi Klein, Manning Marable, and Janine Jackson.

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Beyond Good & Evil: Children, Media & Violent Times (2003) explores how children were affected by U.S. media coverage of 9/11 and the ensuing wars in Afghanistan and Iraq, placing special focus on the simplistic good-versus-evil narratives and tropes propagated by the Bush administration.

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War Made Easy: How Presidents & Pundits Keep Spinning Us to Death (2007), featuring media scholar Norman Solomon and narrated by actor Sean Penn, traces recurring patterns across five decades of U.S. war propaganda and corporate media complicity, from Vietnam to the Iraq War.

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Independent Media in a Time of War (2003), featuring award-winning journalist Amy Goodman of Democracy Now!, dissects corporate news media coverage of the earliest days of the Iraq War, revealing a disturbing pattern of complicity and a total failure of journalism.

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Reel Bad Arabs: How Hollywood Vilifies a People (2006), featuring media scholar Jack Shaheen, traces Hollywood’s long history of portraying Arabs as villains and terrorists, examining how these dehumanizing stereotypes helped build support for the post-9/11 “war on terror” abroad and discriminatory policies at home.

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The Occupation of the American Mind

 

The Occupation of the American Mind: Israel’s Public Relations War in the United States (2016) examines how Israeli officials, U.S. policymakers, pro-Israel lobby groups, and a complicit U.S. news media helped build support for Israel’s occupation of Palestinian land and repeated assaults on Gaza within the larger context of the “war on terror.”

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Constructing the Terrorist Threat: Islamophobia, the Media & the War on Terror (2017) features media scholar Deepa Kumar’s analysis of how U.S. news and entertainment media have made Muslims the dominant face of terrorism since 9/11, fueling exaggerated fears used to justify war, militarism, surveillance, and restrictions on civil liberties.

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Behind the Shield: The Power & Politics of the NFL (2022), featuring acclaimed Nation writer Dave Zirin, includes an in-depth look at how the NFL promoted militarism and war in the wake of 9/11, and helped cast athletes who challenged state violence and racism as anti-American radicals and traitors who were disrespectful to the troops.

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Theaters of War

 

Theaters of War: How the Pentagon and CIA Took Hollywood (2022), directed by media scholar Roger Stahl, draws on internal government documents to investigate how military and intelligence officials have shaped Hollywood films and television, rewriting scripts, erasing military abuses, and turning popular entertainment into war propaganda.

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